Volume 14, Issue 28 (6-2024)
SciJPH 2024, 14(28): 0-0 |
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salehi kakhki A, Khosravi Bizhaem F, Sadeghi Ghoroghaghaei M. Common framing typology in Timurid period coins. SciJPH 2024; 14 (28)
URL: http://ph.aui.ac.ir/article-1-1361-en.html
URL: http://ph.aui.ac.ir/article-1-1361-en.html
Art University of Isfahan
Abstract: (591 Views)
One of the most important pictorial heritages of the Timurid period are the coins minted with various motifs and frames. This investigation seeks to investigate and evaluate the various framing forms used to frame coins in the Timurid period, whose investigation yields valuable data for recognizing a portion of the visual patterns found in the Timurid period's art. The most important question in this search is the different types of Timurid coins. The intended research is fundamental in terms of purpose and descriptive and analytical in terms of method. The sampling process was purposeful and selective, and after preliminary library studies, 15 Timurid period coins from the Ashmolean, David, and Malek museums and the personal collection of Komesh Semnan were selected and studied. Based on the results, the frames of the samples can be divided into 3 types: central, bordered, and combined. The largest number of types in historical order include mixed framing with 19 samples, central with 7 samples, and bordered with 4 samples. Among the types, the combined frames have the highest number and variety of designs, which can be seen in the central role of the samples. Historically, this species has been divided into three types, circle, seven feathers; square, four feathers; polygonal, eight feathers; and six feathers. There are six feather types, of which four feathers have 8 samples, the square has 4 samples, the circle has 2 samples, and the rest has 1 sample. Trban is a type of mixed framing during the Shahrukh era patterns of circle, Mari, four-part, multi-armed, eight-part, and six-part.
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