Volume 7, Issue 14 (3-2018)                   دانشگاه هنر اصفهان 2018, 7(14): 45-61 | Back to browse issues page

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Nouri N. Documentation of Polychrome Slip-painted Pottery Wares on White Backgrounds (Bonyad Tehran Museum) . دانشگاه هنر اصفهان. 2018; 7 (14) :45-61
URL: http://ph.aui.ac.ir/article-1-320-en.html
PhD student Art University of Isfahan
Abstract:   (41 Views)
Cultural Institute of Tehran's Bonyad Museums includes the most exquisite collections in separate sections. The pottery vault is one part of this museum. The mentioned collection is one of the most unique collections existing in the country. There are many pottery wares in this collection, whose production centers and dates are not clearly known. In the present research, six samples of polychrome slip-painted pottery wares on white backgrounds available in the vault of Tehran's Bonyad Museums have been compared with other pottery collections from outside or inside the country related to the Islamic era which have been discovered during academic excavations, and subsequently, they have been dated. The intended objects which are kept in this collection have been discovered by illegal excavations and no research has been performed on these wares to this date. Therefore, aiming at introducing the mentioned items in the present paper, the research questions have been answered. The main questions are: to which time period do the polychrome slip-painted wares on white backgrounds belong? And where are the probable production centers for polychrome slip-painted wares on white backgrounds maintained in the vault of Tehran Bonyad of Museums? The results indicate that the production places of these wares have been in the north and northeast Iran and they have been produced during the third to the fifth centuries A.H. A descriptive-historical method has been applied to conduct this research. The present study has been carried out by visiting the site of museums and also through library studies.
 
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Type of Study: Research | Subject: هنرهاي تجسمي

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