PhD student of wisdom of religious arts, Faculty of Religion and Art, University of Religions and Denominations, Qom , majid.kia60s@gmail.com
Abstract: (77 Views)
This research by studying spatial codes in Iranian Ta'zieh, aims to analyze the functional transformation of them in order to form and transmit the content, as well as to strengthen the two-way interaction with the audience in Iranian culture. Based on this, it will explain the characteristics of the place of performance in the process of producing the meaning of this type of performance, from closed places (such as takayas and hosseiniyehs) to social relations and daily life in recent years. Theoretical approach based on the studies by Edward T. Hall and related to semiotics of location as well as Richard Schechner in field of performance theory, will provide the possibility of analyzing how and the quality of the influence of spatial signifiers in the process of performing contemporary Ta'ziyeh (in different ecosystems of Iran).The research method is descriptive-analytical in which it describes spatial communication systems about the study of performance semiotics and the characteristics of the mentioned study samples will be analyzed too. The findings of the research are indicative of the fact that in the forms of traditional (Ortodox) execution of Ta'ziyeh as a ritual-religious art, fixed and semi-fixed place has been effective as the dominant syntactic system of spatial signifiers. With the entry of Ta'zieh into urban life, the element of place in this form of Iranian performing arts no longer has its past function in the sense of space. In fact, the contemporary Ta'zieh with its interactive performance capacities due to delocalization and movement from a fixed architecture to a public space, It has caused the change of the function of the performance space from the space as a passive organic to an active inorganic entity, i.e. alive and tangible, in the sense of an environment or bio-performance space, and it has led to the expansion of the audience's participation and freedom in the performance process.
Keywords: Ta'zieh, spatial systems, audience interaction, fixed space, informal space, performance bio-space, Spatial Semiotics, Dramatic Space
Type of Study: Research |
Subject:
جامعه شناسی و هنر
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