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Showing 2 results for nasehi

Mrs Sara Ghasemiyeh, Dr Mohammad Reza Bemanian, Dr Aboozar Nasehi,
year 6, Issue 11 (9-2016)
Abstract

In traditional Persian Art, everything is esoteric. It means that any semblance used to refer to an abstaract meaning in a higher realm. Recognition the ideology affecting the arts is necessary to understand the language of Persian Art. The aim of this study is to investigate the structure and language of expression trees, due to the long history of symbolic role of trees in art. In this regard, symbolic role of Cypress tree in Persian garden and painting as the most credible examples of creating imaginal world, is emphasised. In fact the research is about symbolic and imaginary role of trees in enviromental design.

Based on the above, the main purpose of the present research is to determine whether the symbolic botanic elements (e.g. the cypress tree) used in landscaping can truly create a visionary image in the viewer’s mind. The historical and comparative methodology was used to study the history of alluding to cypress tree in Iranian art forms and comparing the different ways this tree had been symbolized in Iranian gardens and paintings. Considering the extensive research about tree motifs, This paper tries to establish a relationship between Illustration and Landscape design, by the new approach. The required information was collected by using library documents and visiting different Iranian gardens. Data analysis was conducted qualitatively and quantitatively, and the various characteristics of the cypress trees used in the visited gardens were tabulated for comparison. The results showed that the various forms of the cypress tree in nature indeed invoked different meanings in the human mind and that Iranian artists have, by carefully examining these effects, used this tree symbolically in their imagery to convey the intended meanings to the viewer.Cypress has a special visual characteristics and its impact on the viewer is a significant cause of mental schemas. Repeat these designs makes keeping in mind the specific meaning and form to create the symbol.As cypress in Iranian mentality has become a symbol of immortality, sustainability and ...


Dr. Abouzar Nasehi, Zeynab Mansouri,
year 11, Issue 21 (9-2021)
Abstract

Lighting as one of the basic parameters in architectural design and one of the factors creating a sense of space and strengthening the identity of the place, has a strong presence in Iranian and Islamic architecture; And since managing the presence of natural light as well as artificial lighting in terms of visual, semantic, functional aspects, etc. is also important in the field of environmental graphic design. The present research considers the optimal use of lighting and lighting facilities in the environmental graphics of Sheikh Lotfollah Mosque in Isfahan as an outstanding example and with a pathological perspective. Two questions can be asked in this regard; First, what are the damages caused by improper lighting in the environmental graphics of Sheikh Lotfollah Mosque, and second, which methods are effective in designing the principles of lighting. In this regard, the effects of light spectrum, light quality and intensity and duration of radiation of artificial light sources on the historical texture and the damage caused by it have been studied. Furthermore, providing practical solutions appropriate to conventional artificial light sources for lighting the historical context in order to minimize these damages using the latest scientific achievements is another objective of this study. The research method in this research is descriptive-analytical which has been conducted in a qualitative manner with the aim of investigating the pathology of light and lighting in Sheikh Lotfollah Mosque in Isfahan. Data collection was performed using field method (observation) and documentary method (library studies and upstream documents). In the present investigation, a profound view on the use of light in historical context has shown that artificial light can affect the expression and creation of historical context as much as sunlight, and on the other hand, inadequate lighting in historical context can have detrimental effects on environmental graphics. Unfortunately, the damage caused by light, such as fading, fading and discoloration, and the deformation of works of art and history are irreversible. Therefore, it is necessary to protect valuable works against these damages.


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