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Dr Farhang Mozaffar, Dr Mehdi Hosseini, Mr Reza Khodadadi,
year 7, Issue 13 (9-2017)
Abstract

In recent decades, urban arts and artistic interferences with various forms, expressions and vast meanings are considered in urban societies. The existent studies and experiences show that, besides basic and primary needs of human beings, satisfying the spiritual, psychological and emotional needs of people for promoting and improving the quality of urban environment is an obvious and undeniable issue. Regarding the importance and influential role of urban arts on peoples happiness and satisfaction and its impact on the mental and psychological health of the society, this paper aims at explaining the role of urban arts in improving the quality of urban life and, using descriptive-analytical method, it tries to answer the following questions: what is the relationship between the improvement of urban lifes quality and artistic interventions, and how can urban arts be effective in improving the quality of life? Thus, while pointing briefly to the definitions of city, urban environment and indicators of improvement of lifes quality, the goals and types of urban arts and their role in improving the quality of life are discussed. This research is a fundamental and qualitative research based on documented data. Finally, it is argued that the urban arts can affect cultural policies and improve the quality of urban life via identity-making, beautification, refining urban spaces, happiness, liveliness etc.


Mrs Seyedeh Mahbobeh Moghimnejad Hosseini, Mr Amir Maziar, Mr Iraj Dadashi,
year 12, Issue 24 (3-2022)
Abstract

In every civilization, we face art that is like a mirror reflecting religion, customs, etc. In the contemporary era, the school of thought that paid attention and re-recognized art in traditional civilization is the school of traditionalism, and the followers of this style of thinking are called traditionalists. In the traditionalist’s thought, art in the traditional civilization, in which nothing outside the scope of tradition that is in line with divine truth has the right to exist, has its own definitions, which are called “artistic”. On the other hand, in our civilizational background, we are faced with handicrafts, which is a production relying on hand power, and is not considered art in the common definition. In order for handicrafts to be placed in the field of art, we will face issues that can be pointed to such as: The creativity of this handicraft, its practicality, its integration with everyday life and other things in this art. Considering the meaning that traditionalists in modern and traditional society has towards art, it can be used to evaluate the artistic value of handicrafts. In this regard, we are faced with the question of what is the relationship between traditional art and handicrafts from the perspective of traditionalists. The research method in this article is descriptive and analytical, and the means of collecting information is based library research and data collection. In this article, by comparing the concept of traditional art and its characteristics with the concept of handicrafts and its related characteristics from the thought of traditionalists, we will reach the conclusion that handicrafts are in the framework of the concept of traditional art and the characteristics traditional arts is obvious in handicrafts and handicrafts is considered one of the most obvious manifestations of traditional art. In this way, the problems that occur in modern thinking on traditional and art vision can be solved.



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