Scientific Journal of Pazhuhesh-e Honar

The tribe art reflects the culture, and customs and kind of the livelihoods of peoples. In this direction the most trustworthy narrator pottery from the ancient land considered which design and the role running on them reflects the beliefs, culture and the people of believe it to be the area and it have suggested untold and the myth of its region's peoples. Sari potteries, are considered one of the most important centers of pottery in Iran 4 & 5 centuries A.H.. Actually the present research which is responsive to of these questions: what kind are Sari pottery earthenware? What feature or features that separated them from other centers to same age potteries? Where is this kind pottery production centers and why has been a less Shell out than any other same age potteries? Earthenware Mazandaran's, despite having a rich historical background of the Paleolithic period to the present, by the native researchers as it is worthy has not been of the attention, Of this study and describes the technical characteristics and appearance as the potteries rural in Mazandaran (Sari), has been investigated with the historical documents and visual. Research methods are descriptive and analytical and through is a study of the library. Also, through the field are discussed, investigated related works. The purpose Of this article is study and identify the pottery Mazandaran in two 4 & 5 centuries A. H. With Looking to design and disassemble motifs on the potteries. In the Islamic period, especially in the 4th and 5th centuries A.H., saw the style in the regions pottery as a pottery colorful clay, glaze on a white background which are called the potteries of the Sari. Making centers this potteries are in Sari and the surrounding suburbs. The technique is Below Colored and they are covered with transparent glazing And also the dominant constitute role of the birds and beside the animals that any kind experience of in connection with the life of the artist.